Blackened rhythms up the ante to match the disgusted rasp admonishing the mindless hordes driving themselves toward extinction in service to "The Man". Epic, doomy passages open up the snarling tone and skittering guitars bring paranoia to the sludgy plod. Based on a groovy pulse and a simple yet effective riff it mixes more tempos in before returning to the original headbangin' throb. Wolvhammer takes the A Side with sludgeoning black metal on a track titled "Slaves to the Grime". On this split from Broken Limbs each band contributes a single track making for a quick and dirty little 7". The inevitable matchup between US Black Metal stalwarts Wolvhammer and Krieg has arrived. Now, don't get me wrong, I love slamming cheap domestics to a Finntroll set as much as the next guy but, for me, this stuff is at its most compelling during the kind of soul-searching that happens to Moonsorrow and Arkona than when dressing up to see any one of the innumerable of bands whose whole aesthetic is a dwarven bar fight. These are the kinds of curveballs I search high and low for. Just as suddenly, they can rip into some dense commentary on modern warfare on songs like “Love Bombing”. One often recalls Thyrfing or even Enslaved.
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Much like the world-renowned beer their hometown of Pilsen is known for, Panychida’s music is crisp and full of haunting accents that linger with you long after. It’s a rich tapestry of leads, samples, hymns, and blasting refrains, one that’s at its most novel on jams like “Wayfarer’s Awakening”, “Doomsayer”, or the massively rewarding, guitar-driven “Don’t Tell Lies to Children”. This is what this band is often labeled and I'm just not sure it does them any justice. I get that we're splitting hairs here but it seems even the thematically defined Viking metal thing is easier to anoint as a genre. I’ve asked many people, nerds and heshers alike, to define just what pagan metal is and have never gotten a consistent answer. Come to think of it, this should have made it onto my best of 2014 So Far list but I snoozed on it hard. The end result is some pretty epic harvest season type tunage.
If you like acts like Hagalaz’ Runedance, or even Satanica-era Behemoth, this constitutes a must-buy. The vocals are just great on this newest record and are probably the most dynamic and enjoyable part. Though I'll leave it someone more versed in the genealogy of folk music to delve into this, I gotta say that the smoothness with which these guys fuse Slavic and Celtic themes might be as much a testament to their own ingenuity as to the common Scandinavian influences that run through both cultures. This is what it sounds like when Polish transplants in Ireland get really into traditional Celtic dances.
This tends to obscure some very dynamic acts, ones that are both menacing and uplifting, whose albums are unabashedly melodic yet still manage to feel righteously savage. Rather, I would venture that folk metal’s embarrassing extended family is much more commercially viable and visible. Now, folk bands aren't getting stuffed into lockers just because they reside at some intersection of a cultural faire and a sword n’ sorcery convention, nor is it because they necessarily count more silly bands among their own than any other metallic subsidiary. Folk Metal tends to get roughed up a bit in some circles.
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